Eve Morris
| By Tom Walsh | 0 Comments
| By Tom Walsh | 0 Comments
| By Tom Walsh | 0 Comments
| By Simon Knee | 0 Comments
| By Simon Knee | 0 Comments
| By Simon Knee | 0 Comments
Nullam accumsan convallis risus, volutpat vestibulum diam consequat a. Aenean at feugiat nibh, a varius nulla. Quisque vitae imperdiet quam, vitae tristique erat. Nunc pharetra condimentum accumsan. Aliquam porttitor quam ac ante mattis sollicitudin. Proin a laoreet elit. Phasellus fringilla ultricies velit in molestie. Curabitur dapibus faucibus posuere. Pellentesque tempus ultricies tellus.
Etiam eget commodo erat. Aenean interdum lectus placerat sollicitudin porta. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Duis dapibus, ex nec feugiat auctor, odio libero commodo ex, ac rhoncus ante eros a felis. Nunc erat lectus, sodales id nisl lobortis, ultrices posuere ligula. In diam mauris, mattis et lacus vulputate, blandit scelerisque ipsum. Proin fermentum odio non volutpat blandit. Phasellus at quam feugiat, faucibus mauris vitae, tempus odio. Aenean sollicitudin massa eu sem hendrerit placerat. Suspendisse potenti. Proin sit amet aliquet mi. Ut vel mauris rhoncus, interdum tortor nec, posuere erat. Nam nec placerat ipsum, et bibendum tellus.
Maecenas rhoncus accumsan diam et ultrices.
| By Tom Walsh | 0 Comments
| By Simon Knee | 0 Comments
| By Simon Knee | 0 Comments
| By Tom Walsh | 0 Comments
| By Simon Knee | 0 Comments
| By Simon Knee | 0 Comments
Nick’s 30-plus years as a versatile, highly musical engineer and mixer has propelled him to the forefront of the film score and classical music world.
His track record speaks for itself. In 2008 he recorded and mixed Dario Marianelli’s score for Atonement, which went on to collect an Oscar for Best Original Score. High-profile film and TV score projects have continued to flow his way, including Kingsman 1 and Kingsman 2, Kong: Skull Island, Wonder Woman, Paddington 2, and Captain America: Civil War, Avengers: Age of Ultron, The Lady In The Van, Bumblebee and Shazam.
Stand-out recording and mixing projects include John Powell’s Oscar and BAFTA-nominated score for How to Train Your Dragon and its sequel, Kubo and The Two Strings and the BAFTA-nominated Darkest Hour, both for Dario Marianelli, and Jonny Greenwood’s Oscar and Golden Globe-nominated score for Phantom Thread.
Recent Comments