Natalie Bibby

Natalie began her career at Metropolis studios, where she was trained by all of their engineers to become an amalgam of traditional and modern engineering. From the get go, she gained prestigious cutting credits assisting on live recording direct to vinyl sessions. Natalie has worked with the likes of Lewis Capaldi, The Big Moon, Squid, Portico Quartet, The Vaccines, Poppy Ajudha, Portico Quartet and Jimmy Eat World.

Natalie’s most recent mastering highlights include Newton Faulkner, Bimini, Hans Matheson, Alor and Ellen Winter. Coming from a mixing background, she inherently understands the methods and tools used by artists. She therefore empathises with the challenges they face and makes herself available to advise how to get mixes right before mastering. Additionally, Natalie has experience in Dolby mixing and mastering and her latest Dolby credits include Gesu no Kiwami Otome and Indigo La End.

Natalie is also a self-producing artist under the name “Ber Bein”. She recently released an album called “Dreaming Bones”, which she recorded, mixed and mastered, on cassette tape via WereGnome Records.